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Pucker Lips

by Also, Dragons

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1.
The Grank 05:07
2.
I wear my heart on my sleeve, yeah But all that you ever wear Is singlets Which you got from Renaissance for 7 CAD Then bought four more croissants than you thought you would need I was hungry when you came and collected your cargo But nobody on our island foresaw an embargo I had bet on a bat out of the park And I had beat with my hands and your heart A stiff upper wrist from a year of holding onto something You were swingin' between the party people, St Denis But by 2.30 they were party poopers just like me "Who is this fucker from wherever taking up all my bed?" But we were fucking every second last July with no bed We met at fourth base back in the first place A pool of life in Fernando Pessoa’s birthplace I know you need airspace but this a real case of short breath Because your body makes me want to curl up into a ball and cry So that’s exactly what I did that night But on that occasion it’s more that the world you and I were both made in just didn’t seem right “Felicitations! You are the first two lovers to feel this!” But why should I conceal this? I want to unpeel it Qualify the real shit And what I feel is: A stab in the dark with a magic wand A seismic size-up with no clothes on Your lap by the lake stained with snot and saliva Blood spilt in the fight for control Eleven days in Montreal was more real than twice that time could be Dream wakes up to reality You were insistent, measuring distance, but despite all your resistance there was none but you required some cos our reality bit you too hard and too close to home base of the Home Run That’s my perception, it's probably easier to stomach cos my guts aren’t in question But maybe these gums like to think that they bit you, feed eyes that don’t notice you’d already seen through Delusions of dreams when we’re never asleep A fantasy pitched at reality’s keeper or backstop I don’t know, whatever its called Why these continuous references? I don’t like the sport Were you caught? A trans-hemispherical rendezvous touching down onto your might of excitement and force of my Romeo FOMO - a no-go, dans la ville de 'No Logo' et pogo exceptionelle Who casts the spell? These senses are fences, I never can tell If I’m living my truth and if you’re living yours we’re just building an infinite hallway of doors Slip your foot in, slam it behind you, open to anything is just endless questioning, mind you If I start stretching my wrist and you work on your swing then fantasy baseball is real (Chorus) Bubble that we blow up go kaput Cos we’re breathing as humans When I go capote The show, it’s Truman
3.
I’d like to get my leg over you Potential consequences make me feel blue Swamped by urges and desires that are new Oh please don’t let me slip and follow through Oh yeah the froth is real What I’m saying is that the froth is real You gotta listen now the froth is so real Frothy froth is real Oh the places I’d go, oh the things I would do if it wasn’t an issue To do you, if it wasn’t so taboo, and if it didn’t threaten to fuck our groove If it wouldn’t cause conflict of interest or distance between us or make everyone else suss If it didn’t have to be kept so hush hush, maybe then it would not matter so much I’d like to explore, to floor you, to paw you I want to adore you, don’t make me implore you I know you can feel it, I taste it, let’s face it We got cake now why waste it, we can eat it too Watching you froth that milk For my chai latte At Cheng Ho’s cafe Oh it starts a partay Between my oxytocin and my testosterone As you’re dusting on that bit of cinnamon I’m lusting from my lady-bone And I think I need to take myself back home! Oh yeah the froth is real What I’m telling is that the froth is real Oh mama now the froth is so real Frothy froth is real Hey hey! Don’t shit where you eat! Ugh!
4.
Stop, take pause, and ask yourself gently When did my glass get so half empty The fuller my mind gets, the less I feel plenty My brain left alone can become quite unfriendly You can’t pour from an empty cup, or tread water trying to top it up You’ve got to keep a brimming full jug on hand of zest for life on your nightstand Slow clap when the clocks turn back Cold feet on a cul de sac Of inhibition indecisions, cos it’s a matter of Factually living the act that you have written in sufficient fun Do you trust funds? You are a martyr, this is the front of a gun These are the trees I have out of my mind Blood from my knees is one of a kind How can I find me And maintain the constant energy to face you? Break through the cracks in the wall of noise This was a hall of toys, that’s when I heard my voice "These ones are girls, these ones are boys" - Any questions? Pay attention! -to the blood in your stool’s in the kitchen Whitegoods glisten LA LA LA LA Good whites listen Euro-, ego- tripping, now connected, if you get affected Shoulda known better, go getter Traipsing round in that faux leather So betcha gonna macho up and pump some cows Wouldn’t sell now but nostalgia got me champing at the teet I tell ya As a child I ran wild up in Highlands for miles Through granite rocks with no socks, I was quick as a fox Didn’t live life according to schedules or clocks And back then my mind was still outside the box Fuck the box! I had pen pals not hair gels, my pits didn’t make smells My only concern was what to show and tell I didn’t shower or shave, “Well what’s changed then?” you say In the creek I would bathe, oh the water I’d save Ain’t no shame! Fuck the game! I’d ride my bike up and down Doin’ mainies in the town Often falling on the ground And then homeward I’d be bound Waah Waah! Knees bloodied 24/7, slurpees from 7/11, Milkshakes after school, who the fuck orders Blue Heaven? Nickelodeon band-aids, sleepover pantry raids Frilly zuke suits, hair braids Why couldn’t life stay the same? Waah waah!
5.
VS 03:15
I don’t have the energy to combat what I see without denial ~So lucky I can look away~ I’d rather silently believe in my beliefs, it’s much less of a trial ~Luxuries I found, my feet, the ground, the womb~ I prefer to lyrically wax on, wax off ‘bout topics that hardly matter ~Masses heaving on that shit, my spit is gold~ More fun to sing loud, light heart for crass laughs ~More use, the big truth, poetry, humanity~ Don’t have to be so serious ~Seriously, got this~ Chance to throw shapes and dance ~Stand atop the mountain~ I write these words in a fit of epiphanies! I wanna write about shaggin’ my latest squeeze! When the world’s going down the toilet Do we stick hands in the shit or ignore it? How can we get along if we can’t sing along? But hey, it’s been a long day, let’s call it
6.
No lights on my bike, riding High St in Northcote I’m happy to fall, but I’m never willing to forfeit my time So in the shadows I build my own 86 line I’m at the thousandth outpost lamppost Shining white into dark places I breathe, dismount and park it Smell the carpet from the Social Club There’s heat from the feet of almost everyone I know And the walls that surround us all are asbestos Our voices and ideas congeal, the froth from the tap is real My tongue bursts its bubbles at a slump on the windowsill Looking out at everything still And I’m imagining me as myself in my own biopic I’ve never seen Mondegreen pull any punches My hunch is, you’ll throw up jazz like an early breakfast If you know how to listen Now it’s 9.59 and time to find cracks in the wall of noise I yell abstractions from rental homes Vacuums, inaction for charity It’s finally mine to swallow Now it’s after 1, and you can’t get food that isn’t kebabs Old mate hands me a parcel - another fucking falafel As dry as the marble into which they carved their words I’d misheard a songline, so did this country: ‘I just needed you to feed me’ - a mondegreen from its namesake I was as hungry as an earthquake So I heard what I wanted to, put burners on the back of you And started charging 12.50 for toast you can make better at home But I was never alone here Now it’s the 228th and final year And they’ve put an 8 Bit Burger up in Little Saigon So your kebabs are competing with Yves Saint Lauren Until the whole world looks like North Fitzroy But what’s gentrification to First Nations? And how can I complain about the Smith St stain? I’m warm, found God In the hull of the ship that brought booze and bullshit Her majesty, your travesty Your creations, adaptations, encased in the land On which I now stand Watching the band But I won’t listen I won't listen Cos I yell obstructions from rental homes Vaccuums dysfunction in anarchy And now it’s mine to swallow The heat from the earth The dust from the walls The Kulin clock hands They read, ‘It’s time’ The apocalypse came A serpentine stream It fed on its tail, we’re back to a dream And I can be anything yes? Tram is derailed, wind and the hail We can be everything’s entity yes? Club falls apart, we can restart You can see I can be more than this business We’ve been there, it kills us There’s cracks in the concrete The waves of reality crash into industry Where are you? We can feed Frantic in fractures Collapse of my structure My bike’s got a puncture I cry out for Bunjil

about

All music by Also, Dragons
Words by Freya Graf and Robbie Smith


The inception of this tasty collection of ear treats occurred on a lush but committed band incubation trip in an old house on the land of the Gadubanud people, near Apollo Bay.
These tunes were hashed out in between games of Chinese Checkers, early morning surf outings, and monstrous batches of questionable porridge eaten naked on the deck.

The music you experience here has been squeezed through, and shaped by, the unique and scrupulous palates of all 6 members, adding and shaving until everyone had left their flavour in the mix. The recorded culmination of this six-filter democratic process took place on the childhood farm Freya grew up on, on Taungurung country in the Victorian highlands.


Like anything good, Pucker Lips was borne of community. For their generous contributions, we would like to sincerely thank:
Erik Trickey & Jack Bennett, for recording
Erik Trickey, for tirelessly mixing
Nick Burridge, for band photography
Lucas Hauptmann Pereira, for drawing the cover art
Jesse Maskell, for filming us, being a sounding board for ideas, and all the good chats
David Briggs, for mastering
Harley H Hefford, for the title
Dad, Gabriel and Gerhard (and Reuben) for lending their homes to us
You, for listening, and reading this far


Pucker Lips was generated, developed, recorded, released and performed on Aboriginal land, sovereignty over which was never ceded.

credits

released October 28, 2016

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Also, Dragons Melbourne, Australia

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